sunshine_revival '25 Challenge #2: "Write about anything you feel sentimental about...""

One thing I'm perpetually sentimental about is the cartoon Dungeons & Dragons (1983-1985; three seasons, the last one shorter). It was on the air before and after a significant event in my life, making a kind of continuous bridge through that, though of course I didn't know at the time that this was part of it imprinting itself on my imagination, as much as its superior writing (once you get past the first episodes that go out of their way to explain themselves to TPTB), voice acting (Diana's actress won an Emmy for her role, and of course Eric's actor is renowned), storytelling invitation to imagine yourself right into the scenario, and its sneaky continuity and deep lore in the days before continuity was permitted or lore wanted. And these were the days of bargaining with one's siblings over which Saturday morning cartoon would be viewed when on the one TV in the house, negotiating away blocks of the day to ensure you got the one half-hour that mattered.

Of course while the show was a huge success in the ratings, TPTB never stopped being nervous about it, in that age of moral panic about supposed cults and such supposedly using D&D to recruit/hurt kids, which looks like a pretty quaint worry now, but was indeed quite real (that is, not a real threat, just a real moral panic). That affected the show in many ways, most sad, but one incredibly good. TPTB lived in such fear of the Parents Television Council about this specific show that they mandated that our heroes must never use violence or offensive weapons. What a beautiful challenge to put in front of the writers! Surrounded by shows firing assorted colored lasers from guns, our heroes had to use their brains and empathy to solve puzzles and reconcile misunderstandings! And their very personally symbolic totemic enchanted weapons were highly defensive and evasive -- no swords in our heroes' hands! -- with even Hank's energy bow and Bobby's club aimed always at inanimate obstacles, never at people. (That was one of the mistakes the recent revival comics unfortunately made. They ditched that key constraint and gave Hank and Eric swords, showing they did not really understand.)

The recent D&D Honor Among Thieves movie (which was a good movie and deserved more audience attention) made use of widespread nostalgia for this show with a few background cameo tributes, which led some toys to finally come into existence for the show as cross-marketing with the movie, so many decades after we original viewers would have played with them. Though I'm not a collector, I snapped up the action figures and they bring me delight; the Diana figure is standing at the corner of my monitor right now, and the others are on a shelf I cleared for just them, even buying clear acrylic risers to display them better.

You can find the show on DVD (I have the "red box" version from the 25th anniversary). It ran around the clock on Twitch for an event leading up to the movie's premiere. I believe that it's not officially anywhere streaming now, probably because of complex rights issues (Marvel and Sunbeam made the '80s cartoon; Hasbro now owns D&D; Paramount made the D&D movie; Disney now owns Marvel; etc.). Unofficially, it's on YouTube in both English and Portuguese, and many of the scripts are available online, most of them personally posted by the show's most prolific writer.

A tip for The Legend of Zelda: Echoes of Wisdom, when you choose to play: To get all the cut-scenes, interactions, and story for a certain truly lovely character, approach the snowy Hebra region from the west, not from the east. Indeed, when the time comes, make it easy and just start from where the glowing quest marker is. They put it right there for a reason.

I, unfortunately, continued my "Explore first!" kick into Hebra and so blundered into Condé's story from the wrong side. Not that any option is wrong as such in an RPG or even JRPG, but... I've seen videos of folks playing this charming, intriguing section, so when I blundered into a certain spot and got compressed dialogue skipping that much more personal and exciting introduction to the character, I knew what I'd lost. You won't want to miss it.

That said, exploring Hebra thoroughly brought me fun discoveries that I was unspoiled on, probably because the people who streamed and wrote wiki entries when the game come out last fall had played the main quest at speed, rushing through straight to the end for reasons like not getting spoiled and satisfying their followers, and so missed some interesting tidbits, including about Condé himself. ( Spoilers (and one fanfic idea) about Condé )

Yes, it's a delightful game. Playing as Zelda is fun. Echoes are fun. The plot and lore are fun. If Condé and Dohna are richer characterizations than Link and Zelda, well, that's a peril of a "silent hero," I'm afraid.

sunshine_revival '25 Challenge #1: "Talk about your goals for July or for the second half of 2025."

My fannish goals for the rest of this summer include:

• Participate in everywoman, the fanfic exchange starring women characters, when it comes along. I will definitely offer D&DC, TLOZ, and BSG78; others' requests will influence what else I may list.


• Build a pattern of recommending something once per week on recommendation communities, and then including a wrap-up of my recs here in my own journal in my monthly "Enthusiasms" post. (Or give it its own monthly post?) Probably usually in recthething, but it could be any suitable recs community. (Is it appropriate to cross-post recs to multiple recs communities? Maybe at staggered intervals?)


• Finish writing and post an odd TLOZ piece I'm thinking of as: "Three Gerudo Ficlets in the Past of Tears of the Kingdom, Before Age of Imprisonment Totally Josses Them." ( Read more... )

At the end of the year, of course I plan to participate in hlh_shortcuts, the annual Highlander fanfic exchange.

Catching up on TV whenever, I plan to watch Andor (season two) and Ironheart (season one). I wish that they released one episode per week, not tranches of episodes! I find one-episode-per-week so inviting, and these tranches so overwhelming, that I end up putting off watching these, while I am of course wholly caught up on the current season of Grantchester. Back-watching TV, I will continue my one-episode-per-week first-time viewing of Babylon 5. (Again, if you mentally classify the special effects as meant for stage instead of screen, this show does much more than merely "hold up;" I feel that it beats the heck out of most of what we have today. Storytelling, acting, episodicness and continuity...)

I already have my pre-sale tickets for Superman (2025) and The Fantastic Four (2025), of course. (Please let me say again that folks should consider watching Thunderbolts*; it's rich and satisfying in multiple layers. I'm disheartened that so many people skipped it. It's well-made and deserves better.)


How about you...?

I'm still enjoying my way through The Legend of Zelda: Echoes of Wisdom! I know that some folks don't relish that its combat is mostly ranged, with mage Zelda instead of fighter Link, but I'm finding it entirely natural. They fixed the menu inconvenience with the Switch 2 upgrade; you can favorite/star echoes now, and there are more sorting pre-sets. And I've found several side scenarios that I was not at all spoiled on.

Mild spoilers for a 17-30-hour game that's been out for 9 months...

Having started with Gerudo Desert and explored it thoroughly while saving its people from the rifts and monsters, I then went to Jabul Waters and did the same. I'm afraid that I found the Zora region a little less interesting, challenging, and satisfying than the Gerudo region, which left me wondering whether I should have done them in the opposite order. The story, side quests, and follow-ups with the Zora just weren't as engaging for me, personally, as those with the Gerudo, which had more personality and pathos. For example, at this point in my gameplay, everyone in the Zora region, including in the Hylian village, is completely content as well as wrapped up, with the possible exception of the one Sea Zora who is secretly either crushing on or fangirling her chief, Kushara. Over in the Gerudo region, though, there's still one woman actively suffering from having been in a rift, and many characters expressing new hopes, dreams, fears, and projects after I fulfilled their side quests... and of course I'm still working on the Mango Rush mini-game (I know it rewards a new outfit with a stats effect). Do I smell different writers for each region? That's pretty customary, right?

After both of those, and as much side-exploration as I could manage to sweep up all the NPC situations and open up the map , of course I cleared Hyrule Castle and moved the story forward. I then did as much more free-exploring and side-questing as I could without triggering the next main story phases, and finally climbed Eldin Volcano, where I am now.

( Some loose fanfic inspirations from the game )